The world of Calvino is a world of fable, but he uses its mechanisms to focus with unerring precision on human reality. Nature in these stories has a magical quality in the flight of a crow, the iridescent track of a snail, the sideways leap of a stray ca
Introduction by Peter Washington; Translation by William Weaver Italo Calvino’s masterpiece combines a love story and a detective story into an exhilarating allegory of reading, in which the reader of the book becomes the book’s central character. Based on a witty analogy between the reader’s desire to finish the story and the lover’s desire to consummate his or her passion, IF ON A WINTER’S NIGHT A TRAVELER is the tale of two bemused readers whose attempts to reach the end of the same book—IF ON A WINTER’S NIGHT A TRAVELER, by Italo Calvino, of course—are constantly and comically frustrated. ... continue
In Kublai Khan's garden, at sunset, the young Marco Polo diverts the aged emperor from his obsession with the impending end of his empire with tales of countless cities past, present, and future.
È un romanzo sul piacere di leggere romanzi nel quale il protagonista è il lettore, che per dieci volte comincia a leggere un libro che per vicissitudini estranee alla sua volontà non riesce a finire. Italo Calvino ha dovuto dunque scrivere l'inizio di dieci romanzi d'autori immaginari, tutti in qualche modo diversi da lui e diversi tra loro.
"Cosimo di Rondó, a young Italian nobleman of the eighteenth century, rebels against his parents by climbing into the trees and remaining there for the rest of his life. He adapts efficiently to an existence in the forest canopy he hunts, sows crops, plays games with earth-bound friends, fights forest fires, solves engineering problems, and even manages to have love affairs. From his perch in the trees, Cosimo sees the Age of Enlightenment pass by and a new century dawn. Long considered one of Calvino's finest works, The baron in the trees exemplifies this brilliant writer's gift for fantasy."... continue